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Mozark Mountain Works

Textiles

Robin McClintock relocated from Tribeca to a rural farm in the Appalachian Mountains in 1998. She has received grants from the National Endowment of the Arts, the West Virginia Commission on the Arts / National Endowment of the Arts (2X), and the Pennsylvania Council on the Arts, the Tucker Community Foundation and the Tucker County Cultural District Authority. McClintock was trained as a painter/printmaker at the State University of New York, College at Purchase. She has also received a Pollock-Krasner Foundation Award.

McClintock often exploits non traditional industrial processes in her work and translates her images on other surfaces. These textiles are a direct translation of specific paintings.

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Robin McClintock

Robin McClintock

Founder

Born in New York, educated as a painter/printmaker, lived, worked and created in New York City, Robin McClintock never thought about leaving New York. For 2 decades she balanced business with painting in her Tribeca studio. Now McClintock has a painting studio in a 1920’s school building, is a member of the county planning commission and remains inspired by industrial architecture and the natural landscape, an elegant industrial aesthetic is a constant imperative.

As founder and owner of a general contracting company in New York City in the 1980’s, she specialized in “adaptive reuse” renovations before the term was coined, focusing on loft building conversions and creating non-profit workspaces. McClintock moved to a farm within the Monongahela National Forest in rural West Virginia in 1998 and started Mozark Mountain Works with her husband.

Michael McClintock

Founder

Robin and Michael McClintock moved from Tribeca to rural West Virginia and started Mozark Mountain Works in 1998. Trained as artists, believers that the impact of the man-made environment is as essential as the natural environment. 

Michael McClintock trained as a sculptor though his natural inclination towards problem solving as a creative engineer is ever present. After art school and time at Skowhegan he brought his deft skills to architectural millwork during the heyday of historic restoration. His architectural drawings of Ellis Island are part of the National Archives. Specializing in historic replication millwork there is nothing he can’t do or make. The move to abandoned farmland in rural West Virginia let him focus on his passion for the outdoors and making things in his 5,000 sq ft wood and metal shop.

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